Feb 25th, 2011, 12:30 | #1 |
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The Sun Light That Friday
This shot was taken above Bloor-Yonge Subway station in downtown Toronto. It was around 6:00PM that Friday. All northbound trains stopped by Bloor station due to a personal injury accident somewhere between Bloor and Eglinton. Passengers were recommended to get out the station and take shuttle bus heading Eglinton station. The passengers crowded at street side with great anxiety. It was that moment, I saw the red-golden sun light shining over the street, breaking through cold air, touching hair and faces of those anxious people even though they might not be aware of it. The sun light looked so warm and tender, like caring hands of God. 此帖于 Mar 1st, 2011 10:00 被 北极风 编辑。 |
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Mar 1st, 2011, 01:53 | 只看该作者 #7 |
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上两张取景角度不错,但质量一般的像片--注意,不是我拍的. Death of a Loyalist Militiaman by ROBERT CAPA 这张泥?质量更差,糊的。。。 landing on Omaha Beach by ROBERT CAPA but, A picture is worth a thousand words--所以泥,ROBERT CAPA 等于说了两千句话。LZ泥, 一千多句.... 此帖于 Mar 1st, 2011 02:27 被 复活的泽尼塔 编辑。 |
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Mar 1st, 2011, 09:46 | 只看该作者 #9 |
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仁兄“复活的泽尼塔”(这网名很神秘也很诗意)提到的卡帕是我最尊敬的摄影大师。有人对他的摄影风格做了这样的评论: “ 他的照片让人不觉得技巧的重要性,而是显露出一段用生命才能换取的勇气,这种大勇的精神使他的照片被任何派别的人都奉为经典,没有人会批评他表现得够不够精致、传达得够不够有力、裁切得够不够紧凑、快门机会够不够恰到好处、调子够不够丰富。他最出名的照片《中弹了》,品质相当差,而另一帧《诺曼第登陆》甚至是模糊不清,焦距、光圈、快门在他的照片里都是无用的名词,他是用生命在拍照,而不是用机器,因此卡帕是被一般人称作“伟人”的唯一摄影家。” 请原谅,我不是用这段文字为我那张照片的画质做辩解,和大师相比,我差着十万八千里呢。我想表达的是,卡帕的风格与他的摄影题材密不可分。如果我们用卡帕的风格拍摄静物、风光、时尚之类的片子,显然行不通。 最近在学习新闻摄影,在这类片子中首要的是时机。当我们与时机不期而遇的时候,要用身边能够拍摄的任何器材把它抓拍下来,而技巧和画质则退居其次。 |
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感谢 北极风 此篇文章之用户: |
复活的泽尼塔 (Mar 1st, 2011) |