May 27th, 2011, 00:43
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只看该作者 #61 | |
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ARC好东西呀，100w/channel, 还推不动ProAc？ RayLumley75w/c, 推Utopid却没问题， 搞不懂呀，这功放箱子配对真是个头疼的事。 引用:
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May 27th, 2011, 01:04
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只看该作者 #66 | |
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引用:
我觉得这很make sense，传统的那种做法，设计功放不知道要推什么喇叭，设计喇叭的不知道会用什么功放来推，很弱智的说，功放和喇叭要成一个系统才能发声，当然是以系统工程的方法来设计才能很好的解决系统的问题嘛。 看看那些HIFI公司，几十年了又有什么进步 ？还是那个老架构，没有什么大的突破，很多就是靠卖个牌子，真正花钱在R&D的又有几家呢？ |
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May 27th, 2011, 01:13
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只看该作者 #67 | ||
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引用:
引用:
听电子鼓，或电影里的电子合成低音，是听不出问题的 
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May 27th, 2011, 01:35
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只看该作者 #69 | |
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不过我个人不觉得那是乐趣，很痛苦的，又花钱，买卖器材又麻烦。 我喜欢厂家就跟我配好了，没啥大毛病，但一定要通透，高解析，低失真，低音染，我拿回家配个DAC就能听，根本不用考虑什么功放喇叭匹配的问题，少了多少麻烦呀，毕竟音响是用来听音乐的，不是用来折腾的（对我而言啦）  监听正好符合我的要求 
此帖于 May 27th, 2011 02:03 被 hugoo 编辑。 |
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May 27th, 2011, 01:46
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只看该作者 #70 | |
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你的选择很适宜你的性格和背景。
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，其实逐步配置/升级的总花费可能大大超过$$$$
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May 27th, 2011, 01:55
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只看该作者 #71 | |
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引用:
我这初烧啥也不懂，被那帮写HIFI器材review的给忽悠，以前看他们写的天花乱坠的，其实听了也就那么回事嘛，太多的hype，很turn me off， pro那边就好很多，毕竟那帮子人都是天天玩音乐，经常听现场真乐器的，不那么好忽悠，杂志上review写的都平实的多，这点让人放心多了。 我对低音抱着宁缺毋滥的态度，不喜欢轰隆隆的低音，听着难受，相反就是喜欢小提琴高音高上去那种感觉，爽呀
此帖于 May 27th, 2011 02:21 被 hugoo 编辑。 |
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May 27th, 2011, 08:22
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只看该作者 #73 | ||
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Focal Alto Utopia, 国内叫-乌托邦
引用:
引用:
   注意这个Ben的房间用了低音陷阱和扩散板。 
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May 27th, 2011, 08:28
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只看该作者 #74 |
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Abbey Road Studio
呵呵。忘了提。。。 英国的Abbey Road Studio，B&W 800 Diamond 的代言，一大堆Classe功放。 还是有商业业录音室（Abbey Road 是世界数一数二的）用这样的settings。 Abbey Road甚至还出售自己品牌的线材。 http://www.bowers-wilkins.com/Discov...bbey-Road.html 
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May 27th, 2011, 08:29
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只看该作者 #75 | |
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软件基本靠载 硬件基本靠拆
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BTW，虽然没听过，但凭直觉这种喇叭好。以后有机会DIY一套。  
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May 27th, 2011, 08:33
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只看该作者 #76 | |
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100K你不睡觉？
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那是什么功放？比我看到的大很多！这对应该是比Alto大一号的。它有两个midrange。应该是Grand Utopia了！ |
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May 27th, 2011, 08:48
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只看该作者 #77 | |
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引用:
人的主观听感真是千差万别，老广你是觉得Solo高音太强，低音没有，下面这个家伙跟你正相反 http://www.gearslutz.com/board/so-mu...-solo-6-a.html 在3楼： FWIW I have SM8, Solo6 and CMS-50 monitors here, and they all sound good…but different. Relative to each other, my non-scientific description of the sound character is: SM8- Very flat freq response; ideal for critical mix decisions. Sounds like there is no crossover. Non-ported design keeps low end audible, yet tight, in varied listening environments. Great mixes sound great on SM8; other mixes have all their flaws revealed. This is the desert island mixing monitor for me. Solo6- Fun to listen to these! Low end is bigger than you'd expect. No subwoofer necessary for my taste. Less accurate, but less clinical, than SM8. While SM8 is a "work" tool, Solo6 is what I would choose for pleasure. Nothing digital here, so the crossover slope isn't as steep, but I can still mix on Solo6. Some guys master on them. Dave Kutch, a successful mastering engineer, who has a studio called The Mastering Palace in NYC, 用Solo做他的mastering monitor, mastered Alicia keys' latest CD, here is a interview with him talking about why he used Solo as a mastering monitor. 这些pro听现场的机会，比我们要多的多，他们的参照系也比我们要准的多，他能用solo来当mastering monitor，说明什么？ Dave Kutch on mastering Alicia Keys new album The Element of Freedom http://www.sonicscoop.com/2009/12/16...tch-mastering/ The Focals saved my ass on my first album with Alicia. The Solo6 Be monitors worked, and I’m not going to change that. They’re tight, non ear-fatiguing, and have a ridiculous amount of sub for such a small speaker. They just work. Obviously speakers are very subjective, but for me they work perfectly. I started using these for the last record, and I’ve been using them ever since. I was only using them a month prior to As I Am – Fab (from NYC’s Flux Studios) told me I had to try the Focals. It was the sound I was looking for. 此帖于 May 27th, 2011 09:12 被 hugoo 编辑。 |
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May 27th, 2011, 08:54
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只看该作者 #78 | |
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老广呀，DIY玩玩没问题，只是可别把自己DIY的喇叭当成reference system，要当的话，至少先把你那箱子频响做成40-20khz +/-3dB再说，光靠自己的耳朵听和直觉，还是远远不够的 有门的箱子要真像你说的那样，我就奇怪了，你们DIY就全靠耳朵听吗？频响是可以测的，至少搞平一点吧？ 高音完全没有，这还叫什么高保真？一点客观标准都没有啦，全凭自己耳朵的喜好？not my cup of tea.. 你是没听过正常的高音，耳朵对高音太敏感啦。 引用:
此帖于 May 27th, 2011 09:18 被 hugoo 编辑。 |
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May 27th, 2011, 09:03
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只看该作者 #79 | |
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这一套下来得多少钱呀？5万加币够吗？ 引用:
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