Jun 4th, 2006, 19:36 | #1 |
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【转帖】纽约艺术博览会上一幅题为「2008-北京」的油画:
转自:http://www.51.ca/bbs/showthread.php?threadid=112666 1 背景: 阴云密 2008年的台海局势扑朔迷离, 阴云密 2 主画面: 4个成年人在开赌局, 是麻将, 1个小女孩在场外东亚地区的赌盘上, 实际上是4个大国在玩, 台湾不是参与者. 而这次的游戏方式是东方式的麻将. 3 赌局的局: 两个金女子与两个黑女子.中美是对家, 日俄是配角,4个人身份很明显. 4 衣服: 4个人身上的衣服代表实力, 美国上身齐全, 下身裸体,在面上实力最强,而台下一丝不挂, 中国在面上一丝不挂,在面下实力却最强, 日本整个一丝不挂, 没任何实力, 而俄罗斯只有一个遮羞布. 5 神态和动作: 中国背对, 看不出神态. 但是是最关专注於赌局的, 而背地里藏着2张牌,其中一张是俄罗斯串通得到的. 日本在自我陶醉, 整个赌桌上最白的一个, 关心赌局, 并自我感觉自信满满. 俄罗斯躺倒, 把腿搭在美国身上, 而且牌是相公, 代表俄罗斯因为无关输赢, 表面上是自己不想玩了, 但俄罗斯明里和美国有瓜葛, 暗里却给中国递牌.美国的神态在看着台湾, 不太关注牌局, 而且双手放头後申懒腰, 表明美国已经比较疲惫, 美国考虑的是值不值得玩下去的问题, 而不是怎麽玩的问题. 6 台湾: 台湾严重关注赌局, 果盘代表利益, 手拿小刀想保护自己的利益. 台湾的衣服是中国式的, 代表暗示台湾才是中华正统. 而大陆只是在身上有凤凰的文身, 下面却穿西方衣服, 代表大陆外在西化,内在满清化的趋势;穿衣服的是美国。 左:日本, 背对画面的是中国, 躺着的是俄罗斯, 站着拿刀的小孩是台湾。 除了美国之外三方都光着上身,暗示实力弱於美国(不是废话吗); 美国表面上不看牌桌,其实在看她的另一张牌:台湾; 日本自鸣得意,就等着摊牌; 中国除了明摆着一副东风(「东风」啊),背後还有牌; 俄罗斯表面装作不想玩,其实一脚踩美国,一手拉中国; 台湾一手握刀,已经快脱光了(仅用水果挡着)。 此帖于 Jun 4th, 2006 21:04 被 ctzcy 编辑。 |
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Jun 4th, 2006, 20:20 | 只看该作者 #2 |
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懵一把。。。
好看,政治色彩浓厚。呵呵,此麻将的规则就是输了就要脱光光,很有点民间味道。 天阴沉。 背对着的女人身板一边挺直,开了杠,急着搞定这一局。有小动作,但很难改变局势。 左边的女人显然理顺了牌,而且有好牌,但似乎心急得意,最终结果不会赢。 右边的黄毛,牌不顺,爱死爱活,至少认了这句。 正面的穿戴整齐的女人,和另外几个相比,不过是做戏,玩儿,心不在焉,被别的更好的东西吸引。 小女孩希望能上台玩玩,可是没有份啊。 墙上的领袖,望着大家,似乎对玩中国麻将很有把握,但和画面上的牌局大势显然不协调。 。。。。。。 |
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Jun 4th, 2006, 20:45 | 只看该作者 #3 |
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http://www.zonaeuropa.com/culture/c20060507_1.htm By,Toronto-based Chinese painter Liu Yi (刘溢). Everybody knows that 2008 Beijing is where the Olympics will be. Westerners call it the Olympic Games. There is a game in this oil painting, but it is the traditional Chinese game of mahjong. On the top left corner of "2008-Beijing," there is a standard head portrait of a man. He seems familiar and unfamiliar at the same time. He has Sun Yat-sen's beard, Chiang Kai-shek's bald head and Mao Zedong's facial features. He symbolizes the one hundred years' of Chinese history and the sum total of the old and new democracies. To the left of the painting, there is a innocent and focused girl who is probably celebrating because she has a good hand. The girl in the middle with her back turned to the observer has three "east" tiles, symbolizing the unignorable reality -- the emergence of China. But the girl is also trying to cheat with the tiles hidden behind her foot. The girl in the middle facing the observer seems to be of mixed blood. As she plays the games, she is looking at the source of the light (that is, the future). She is nicely dressed, and she has a slightly worried look. Then there is that foreign girl. She is playing a Chinese game in which she has no confidence. She is lying there, because she has one tile less than required. She has lost already. On the right hand side, there is a peasant girl who came to work in the city. She is the fresh labor force that allowed China to rise. On her face, there is a little bit of incomprehension and dissatisfaction. She holds a shining fruit knife in her hand, indicating a resentment against wealthy people and a certain danger. On the right of the painting, in front of the rundown building, there is a river and some rocks. This symbolizes the uncertain future by which one can only cross the river by stepping on one rock at a time. |
捣乱、成功、再捣乱 |
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